In and around New York

New York City Garbage is Some of the Best Art by Mirena Rhee

I've always been in awe of New York City garbage, it's unlike any other place because I've had garbage in California and Florida and Cincinnati but in New York, there are rarely back alleys so everything is on the curb.

The cost of real estate is so high that it makes absolutely no sense to store anything at home, storage units and moving are very expensive. So a lot of the time, it's the easiest to put things you don't need on the curb. So other people who need them could take them home.

My friend furnished his entire studio from the garbage, including his work table, cabinets, stretcher bars and even canvases that he repurposed and repainted.

I didn't have any furniture in my apartment to begin with, but when I needed something, I took it from the garbage.

I moved my entire San Francisco apartment to New York City and then gradually shed stuff as I moved around the city. Before and after every move, I put stuff on the sidewalk.

Heavy hand-woven wool carpets I had bought in Bulgaria and schlepped all the way to my house in San Francisco and then to New York all of a sudden became useless and a huge burden. I had nowhere to store them, and selling them seemed like a big project that I didn't want to undertake compared to what I would make if I simply worked the same amount of time.

It's really surprising that when time and space are at a premium, a lot of stuff immediately shifts in value, and once prized possessions become burdensome to even give away for free.

There are many varieties of garbage on the curb, entire living rooms with cabinets and entertainment centers and lamps, entire bedrooms with beds and mattresses, and children's toys. There's beautiful packaging around Christmas and New Year's. And sometimes there are mountains of boxes and bags piled higher than a human for almost a city block.

Many of these were like spontaneous installations. I was really fascinated with photographing them. Many times, I observed arrangements that were more interesting than what was in the galleries in Chelsea.

Once I saw a show of Arte Povera, or poor art from Italy, at Hauser and Wirth on 22nd street. It was from the '60s. It was one of the most beautiful garbage I had ever seen. Italy is one of the most talented nations on earth, art architecture fashion cars opera, and it seems, garbage.

I did very little work transforming garbage objects into artworks because what was interesting to me was the unadulterated spontaneity of garbage. But sometimes I got inspired by specific objects I found.

Once I found a pristine tomato red sled, another time I found a thrown-away painting where the back looked much better than what was on the front. I painted the back white and hung apple peels on the wire. The apple peels looked very much like strange hieroglyphs made out of my favorite food, so I called the piece apple peels kanji, after my favorite minimalist country, Japan.

There isn't any garbage in Japan! Nah, just kidding. Of course, there is, but you have to look for it. I remember going at night to a seedy part of Tokyo, if there is such a thing, it may have been Akihabara, yeah, there was garbage in the street.

I don't know about garbage, but I remember sitting at a cafe in Tokyo once, and looking out and across the street, there was a teenager talking on the phone, pacing back and forth, and at one point he bowed, to whoever he was talking to on the phone. I swear.

One summer, I spent a month cleaning my local park in Greenpoint, Brooklyn. I spent a lot of time collecting garbage and emptying trash cans. It was back-breaking work, but I ended up meeting a lot of my Polish neighbors who came out to help, and talked to the people in the park. Some park guests used me for improvised therapy sessions, and one customer of the men’s restroom used my sunglasses instead of the broken mirror to fix his hair.

My idea for Zero Art came to me when I saw people carrying doggie bags and small garbage bags and randomly cleaning the park. What if people collected found objects in small bags, arranged them into mini installations, and took nice pictures? Ephemeral and useful Zero Art.

A friend and I once had the idea to go around and take pictures of ourselves getting comfortable in garbage bedrooms on curbs around Manhattan. We'd pretend to drink coffee in a curbside living room, we'd photograph ourselves against all kinds of trash, and make spontaneous art pieces out of it.

I always wonder about the lives of objects. People hoard objects and carefully care for them in their homes. And then all of a sudden, one day these objects are not needed anymore and then end up on the curb. An object was once very useful and beautiful and had a great relationship with its owner. It was cared for and carefully dusted. Years would pass, and the object would become a witness to many life events in a home. There was always a special purpose in how it was brought in, why it was brought in, how it was picked, and how it was used. Many gifts and family heirlooms, loved for a long time and with long histories inevitably land in the garbage.

There are very few generational mansions with stuff in the US. Even Grand houses often get sold and resold and redecorated, and the old stuff gets thrown out.

Once during the pandemic, I saw a picture of Gwyneth Paltrow posing with a mask on a plane, and I thought why don’t they put up pictures of the street sweepers of New York City and the garbage men who continue to collect our trash and sweep our streets despite the whole world going inside.

I remember vividly that I couldn't sell my taekwondo gear for some reason. I'm not sure why I couldn't push it through eBay or Craigslist. I had become a yellow belt at taekwondo when I lived in the suburbs of San Francisco and had bought all the responsible gear, including shin guards and chest guards. In New York, I had to fight for my life and art, so I had no time to fight people's shins anymore. I just left them all on the street in Brooklyn. It became just like one of my installations.

Xquisite Corpse Act One - Today by Mirena Rhee

Xquisite Corpse Act One - Today

As part of Xquisite Corpse Act One I wore a white canvas dress on the streets of Manhattan and asked New Yorkers from all walks of life to write me a message. From the delivery guy on East 51st street, people waiting to be seated for lunch on the Upper East side, the doormen of Radio City hall, patrons waiting for their limousines at the Art Fairs, to the amazing person who literally dragged me inside the Armory Show, to visitors of Scope - New York, to a bar on 6th ave, to the cashier at Trader Joe's on 23rd street.. In 15 languages and almost 200 messages, we wrote the poem of our collective subconscious and I called it Today. Thus, the Xquisite Corpse Poem was written and Xquisite Corpse Act One was complete. 
 

I took the term Xquisite Corpse quite literally. With Corpse meaning “body”, as in physical structure, with the root of the word going back to Latin corpus “body".
This work is about the body, the body as a landscape, and whatever surrounds the body, the reality that surrounds the body, also as a landscape. As the body swims through reality it makes wakes and it changes it in someway.

Click to see the Xquisite Corpse Statement…..

Just returned from the astonishing exhibition of Delacroix paintings at the Met by mirena

And I didn't see even one third of the show, and there was another exhibition composed entirely of his drawings.  

I had such a punch in the stomach that threw me back to where I came from to begin with. To the very beginning of why i want to do art in the first place.  Delacroix's world is my world. The world of Michelangelo, Durer, Leonardo, Rembrandt, the greatest artists in the world that ever lived, and their spatial and chromatic sensibilities. This is why I like brown. And marble.

 

 

Portrait de l'artiste Delacroix Eugène (1798-1863) Paris, musée du Louvre

I had such a head spinning experience and there was so much emotion in me and so much taking in of paintings I couldn't sit still at the exhibition and will be coming back many times. Delacroix will be my beacon and mentor for the next few months. I will come back to see his work, and his words.

 

 

I reflect on why i think beauty is important. Beauty is important because it transcends and transports, and my own duty in this world is to produce as much of it as I can, and cause as much of it as I can in the world.

As I sit here reflecting on Delacroix, I think a manifesto of sorts, of what to do. I will do relentless beauty through works large and small. I will work with ideas large and small, that reverberate. I will put enough power, intellectual and worldly so these ideas have enough trajectory to shoot upwards.

I reflected on what I want to achieve with my Memory Replacement World Trade Center installation and performance - I want to overwhelm with beauty and color and life, with a human touch, with a personal stroke and with the closeness and within the personal space of a human being.

The greatest capital in the world is the human capital by mirena

  me with the Mayor of new york

Around this time last year I had a chance to volunteer for the Mayor's campaign and canvassed and knocked on doors on the Upper West Side, between 90th and 101 st street and between Broadway and Riverside drive.

In the span of one day I got to meet a South African racist who literally was rolling down the street in his vile opinions and because we are a tolerant society no one beat him up. In the same day I got many complaints from decent citizens about "the homeless people" where I couldn't believe my ears that in the century of the Space Odyssey someone may consider that a certain human being has less value than another.

Many in the latte holding crowd thought that homeless people are simply out to cause inconvenience in accessing venues that dispensed said lattes.

No one complained that we have too many shops. I am sure no one will complain if instead of homeless we have piles of gold and diamonds on the streets. They will be much better looking piles, right? And not talking and certainly not disturbing the paradise we have built for all the good looking people.

I believe that the moment we decide that human beings who are down on their luck are somehow less worthy, of love, affection, attention and consideration with dignity, we are lost as a society and we are back to being simply a beast. Beast do not care for the injured and the sick but we humans should.

The amount of consideration and respect we pay to simply dug up dirt that was smelted, and cut up crystals, the care we take to put these on display and in shops, it is to me ridiculous and surreal. At the same time we want to put out of sight and out of mind humans who literally took millions of years of evolution to make and whose position of being on the street is only special today; but we have lived in huts and in the dirt for thousands of years, how can we forget what it is to just be human.

Our humanity  is our greatest capital. The greatest capital in the world is the human capital. My dream is that in 500 or 1000  years differences will be considered obsolete and humanity will be comfortable enough to dispense with slavery to the material world. And will dispense with the material measures.

 

...............

back to my campaign and the human stories of New York...

My main task was to talk to people - in the street and also to knock on the doors in apartment buildings in one of the wealthiest neighborhoods in the world.

Only one person out of many threatened me with police and literally threw me out. But I had many and wonderful conversations with many people who were simply happy to talk. I remember meeting a Bulgarian-American-Jewish man who told me that every year he used to go to his home town, by the seaside in Bulgaria; he used to rent a hotel room from which he could see his childhood home. He said they built a hotel now which blocks the view so he hasn't been back in five years.

Another man shared that their father passed but his values lived on and signed for my campaign. ....................

To sum up my feelings on this matter - I feel it is time we take a good look at our values, of what we consider worthy.  Why do we care about gold and diamonds, why do we care about handbags? Why is a sack with straps that important so we put it in nicely air-conditioned rooms and well lit while humans are out in the elements? I can tell you right now a pile of gold is probably only worthy if it has been buried with a mummy. I think instead of saying someone has a heart of gold we should say they are simply human.

The greatest capital in the world is the human capital. In fact I believe there is no other capital to be had at all.

A Great night in Chelsea by mirena

One of the greatest things about art is not just the fact it pleases us but it transcends everyday life. No one wants a life mundane and ordinary, so mundane and ordinary art is short lived. I am not saying a goat has a meaningful place in art, i am saying art is bigger than life and large enough to fit anything, with enough will. Thursday nights in Chelsea are one of the best nights in the city in terms of energy and crowd.  Everyone is back in the city and everyone loves to hang out in a beautiful and fun environment with like minded people. I had a blast and looking forward to more shows, and more art. Because ultimately art saves us - imagine we may be the only creatures in the universe that do it.

     

EMINENT DOMAIN Exhibition - organized by Scotto Mycklebust by mirena

An epic eminent art party and exhibition Scotto Mycklebust threw at 524 West 26th in New York. The work I liked was by a Pakistani artist - painting on carpets and performance with a shroud made of bullet casings. The work is about the particular types of violence we practice in the US which is school shootings and other targeted decimations like the Orlando massacre. In Pakistan, violence is what they refer to as "honor killings".

Violence is very popular and practiced widely in the world today, although on a very human level we  all agreed it is completely senseless. Violence, although completely absurd, is very popular today for three reasons:

  1. it is very profitable and
  2. allows for complete control of another human being or an entire state
  3. it is easy

Because you do not need hard work or study, or the labors of love, because love is difficult. Violence and guns, on the other hand, are cheap and easy.  All you have to do is wave a gun and you are instantly in control of another human being and their entire world. No need for labor, no need of any sort of skill - these days in the US even toddlers kill people, inadvertently.

Practicing non violence is very difficult, labor and love intensive, and deadly.

Just look at the lives or Martin Luther King and Mahatma Gandhi, both bringing dramatic changes to the world. Because killing is easy and non-violence very difficult because requires talking, love, sharing - all the hard things.

 

EMINENT DOMAIN Exhibition

EMINENT DOMAIN Exhibition

 

Green, trees, nature, ponds... twigs by mirena

Here I met a turtle, in such a place it's very difficult to think the world needs any art, all the best was already made here. I get into this Thoreau mode, and can't stop looking at the grass, all the twigs, and how well composed the colors are, and how everything is always harmonious and pretty much complete. I realized I understood why painters painted the same scene over and over, the same exact place perhaps with different lighting, because Nature has everything already, can't be beat when it comes to creativity and beauty.  

The shadows are so well placed, the twigs, the colors. Marvelous patterns, never to be repeated.

..

Jackson Pollock MTA by mirena

In the greatest city in the world art just happens :) New York's MTA - Metropolitan Transportation Agency which is in charge of the subway is making art too. Currently the MTA is under a lot of pressure and this took place at the Columbus Circle subway station around 11pm. The workers probably thought I am photographing them to complain. Nothing of that sort.

Pollock's famous painting just a few blocks away: https://www.moma.org/collection/works/78386 .

Happy Holidays from Michelangelo! To be a creator is the greatest power in the world, so don't be worried about anything else. by mirena

  Michelangelo drawing from the exhibition at the Metropolitan Museum of Art in New York

A once in a lifetime exhibition at the Metropolitan Museum of art in New York. It is the Met's gift for us for the Holidays.

There is no greater power in the world than that of being a creator. When you are a creator you are in control. Everything else is an agenda fed by someone else.

We are constantly told by media, papers, whatever visual and auditory space available, that we should be eating, drinking, remodeling kitchens, buying and saving money, I think that one last thing has in such a great way deformed our consciousness that there is this anxiety that we have to be constantly on the intake. We walk around with this anxiety for the next intake, I am astonished by the amount of time and energy spent in this city on discussing, cataloging and planning past and future meals, and the acquisition of objects.

Yet, there in the dim light of the Met were these really faint ( by modern standards ) marks on paper that produced in me such great pleasure to observe and contemplate them, and I bet in others too, judging by the crowds. Really, nothing of substance at first glance, certainly nothing to be chewed on. Just marks going here and there, up and down and in circles. these markings, however faint, produced great emotions and appreciation. Pretty wondrous effect given that the author has not been around for the last 500 years and hardly ever comes up in conversations and on television.

The greatest power in the world is the power to create, we have hardly control over the first 20 years of our lives, we are placed and educated somewhat unwillingly and the only thing we can truly will is something of our own, something no one has ever produced before us and no one ever will after.

Michelangelo at the Met

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Michelangelo is coming to New York - at the Metropolitan Museum - November 13th by mirena

mirena-rhee-michelangelo Michelangelo is coming to New York - at the Metropolitan Museum - November 13th  

Michelangelo is coming to town November 13th

"Michelangelo Buonarroti (1475–1564), a towering genius in the history of Western art, will be the subject of this once-in-a-lifetime exhibition. During his long life, Michelangelo was celebrated for the excellence of his disegno, the power of drawing and invention that provided the foundation for all the arts. For his mastery of drawing, design, sculpture, painting, and architecture, he was called Il Divino (“the divine one”) by his contemporaries. His powerful imagery and dazzling technical virtuosity transported viewers and imbued all of his works with a staggering force that continues to enthrall us today."

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I remember spending hours and days with his work in Rome and Florence. With his sculptures, with his paintings and frescoes, with the St Peters Church, also at the Vatican museums and remember losing my footing at the Sistine Chapel.

 

I also like – to some degree – his slaves. Not a big fan of the condition of being imprisoned in any shape or form. But we are all slaves until we find what truly saves us.

Michelangelo also embodied the very modern idea of using and innovating technology to further art. Michelangelo was a very technical artist – I remember a conversation at a conference once — where we argued about art and the impression that artists are these soft creatures who flail their limbs about hoping to make the correct gesture into artwork.

Michelangelo’s work is so much more impressive because it required substantial engineering skills to be completed. Even his marble carving of David is one that required engineering thought to free the statue from the odd shaped block of marble. I also have this very odd affinity to marble, I am not saying I like it because I feel very physically drawn to it, almost like a magnet. And whenever I look at great marble I feel glued to it with invisible strings which are very hard to abandon.

The artist also epitomized what I call the Continuous Commitment To Excellence principle. In modern terms Continuous Commitment To Excellence is what Lucasfilm and Apple employ.

Because ultimately it is single individuals that are capable of creating long lasting value and when looking for values to adhere to - I ask - does it hold up after 200 years and why. If there are sculptures that are 500 or 2000 years old and have people still moved and enthralled then there is a long lasting value in them. Usually it is beauty, ideas, skills and mastery of execution. There were recently works at the Morgan museum that were from 3300-2250 B.C and beautifully crafted. I bet whoever made them never thought there's going to be a creature 5000 years later admiring their work.

With Michelangelo it is that every single work has so much power and mastery to make a lasting impression 500 years later. What underlies this kind of achievement and strength in a work of art? He made sure to become the craftsmen, problem solver and engineer of his works. You can't be an artist before you are craftsmen. You will need to put in the 10 000 hours in some sort of craft, whatever you can tolerate doing for 10 000 hours. These hours will allow you to become an automatic creator and a good judge of beauty. There are a lot of problems that arise in art and mastering a process will teach you the good practices of problem solving which will allow you to go further than the ones who never mastered a process.

In a world where we are constantly submerged in a Hot Fuzz of markets, teslas, rockets, leadership seminars, virtual realities of all kinds, blade runner futures, menacing robots - all that really matters is the genius of man.

If you get a chance - make sure to see one of his works in person. You will be standing in front of a work of art that outlived many great things on account of being a product of a man determined to be excellent. Michelangelo fought so many battles for the most mundane things like the quality of his marble, the envy of his contemporaries, the papal politics. There were years when he couldn't be productive and faced many setbacks. The only constant was that with every project he undertook he committed to creating beauty and long lasting value by adhering to his own high standards.