Ingredients of a Subway Car by mirena

Ingredients of a Subway Car is a series of drawings, installations, 3D simulations with Unity 3D, animations, photographs.

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is a series of drawings, installations, simulations with Unity 3D using the pen and ink drawings, animations, and of course photographs i took of the subway which strangely have nothing to do with my vision for the world i am creating. The nyc subway has always provided great comfort and stories and I find it more interesting than any stage production. It has always provided endless fascination for me and filled my imagination.

Installations: https://www.youtube.com/playlist?list=PLl9XJDcVINfMCv3r27CLejJRb_0_kKi_q

Drawing: http://mirenarhee.com/drawings/mirena-rhee-hands-chart-pen-and-ink-drawing.jpg

Photographs: http://dimmerlight.com/portfolio/subway-grids/

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Alan Watts - The Tao of Philosophy (Full Lecture) by mirena

Bits and pieces of things from Alan Watts.. .

it seems to have a sense of wonder and enthusiasm is bad form...

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I personally promise to hang onto every idea and whim that crosses my mind. To indulge in frivolous speculation and to use words from different languages in one sentence.  I am interested in answers not much contrived, genuine things and fools persistent in their folly.

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Well ordered soul - a self portrait developed in subtle glazes - an old masters technique of 500 years. Happy new Year by mirena

Happy New Year from me wishing all the most pleasant and gracious things. ..

This is a self portrait developed using old masters techniques and materials, it is built with subtle and very transparent glazes that i usually leave to dry for six months before applying the next layer. Here the pigments i use are genuine vermillion, ultramarine, ivory black, yellow ochre, mars black. These pigments are very gentle and the painting shifts if applied too vigorously so i give them lots of space. I also use a glaze i made myself using stand oil and damar varnish, which I also made from scratch melting damar crystals in turps for several weeks. Each glazed layer has a sheen that reflects light and the final effect will be more luminous as a result. .

mirena-rhee-well-ordered-soulself-portrait-old-masters-technique-painting-large

Christmas Present in the form of a thought experiment and the number four in how to fix it by mirena

To me any shard that sparkles is just like any other shard that sparkles, they have or haven't previously been beer bottles. We haven't solved many of our problems efficiently but it seems a lot of carbon shards I have seen in New York are better taken care of than many humans. We need to cut the shard loose.

And always wondered why is that the case? How has this particular shard captured our imagination. Who wants it? I mean it used to be that shards indicated status, and status served to preserve social order for the better and calm of society. Now that we have publicly funded institutions in place to do that i think we need to release the shards from that duty. They are somewhat pretty but not in my mind pretty enough do deserve more than a days wage. If i see a shard decorated individual of course i am not going to think more or less of them on account of the shards. So what is it?

I have identified 10 easy steps that we, together, can fix this country.

And number four is…

4. Cut the diamond shops loose and have free computer and learning places in there instead for people to go get free education.

What I see here is nothing more or less than polished pebbles just like any other polished pebbles and I am not gonna argue with anyone over it, I am just not going to ever bring it up again. I could see a ceremonial use for it when dancing in circles for rain for example and just for kicks but to have these shards take prominence or precedence is a waste of space - imagine if in our minds and hearts actual valuable things take place like learning how to break the speed of light, maybe instead of toiling for rocks we can toil the genome or figure out how to break out of gravity and get on real voyages and real far.

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add-on 2019 - In case you need to perform a shamanic ritual and need to decorate yourself in crystals, or have gotten a job as a shaman and need to sew these into your uniform or headdress - I know a great shop in the garment district that has a million dollar necklace they sell for 25 bucks.

This one time when London PD helped me brainstorm an art installation by mirena

Story began on Election Day when I asked New Yorkers to write me a message on a canvas I wore on Union Square, and a couple of weeks later I took the same canvas, flipped it over and asked Londoners to write me a message, on Leicester Square. This was my second time in London ever and I didn't really know the city that well. By the time I arrived it was late afternoon and I realized the location I had picked for the piece in London was pitch dark by 3pm. My only shot at doing the performance was the next day, due to weather.

It was evening when I strolled down The Mall in London and saw a couple of policeman sitting in a cruiser in full riot gear. I told them my predicament that I need a relatively well lit place with tons of traffic to do an art piece next day and we chatted for a while and they said, sure, do Leicester Square. And that was it. .. .

This one time when London PD helped me brainstorm art installation

strange days by mirena

  There is a word that we really like.. it is the word strange and weird. We apply this word to a variety of things. At the same time we occupy our little caves and in these caves we store things. We accumulate useful items and carefully crate them in the corner of our cave. To make space for more things we carefully arrange the things we already have.

Weirdly enough we miss the obvious fact that we are on top of a round sphere hurling through space.

Weirdly enough the question we usually preoccupy ourselves with is - did we ever store enough in our caves? We never seem to be satisfied with the amounts accumulated and always come out to look for more and store more.

The bigger the pile of things the happier we usually are.

It seems to me that, weirdly enough, our religions have been an attempt by perhaps an enlightened source to tell us that, ahem, we shouldn’t really busy ourselves that much with the stuff in the caves. We should perhaps look into building qualities in ourselves that will allow us to work better together and develop for a world beyond that round ball.

Image that it took several billion years of evolution to create ambitious and talented creatures so they can gather things in caves. I doubt that was our purpose, we are incredible problem solvers and abstract thinkers. We now communicate with each other via space. A signal goes up and then down, we managed in a short amount of time to do that.

It is weird that we like our caves with all the stuff in them. That we rarely look into the sky wishing to be there or to do something about it. I look around and i see piles of things, many not even digestible. What is even more weird, between digesting or accumulating more piles, we manage to sneak in a destruction or two. And this happens on a mass scale and is done by seemingly decent people.

Oh, well, well obviously without carefully scheduled destruction  we'd soon run out of space wouldn't we? That's why we like to put nice people in charge to encourage both gathering and destruction at the same time. It is a win win situation.

 

I often have a hard time distinguishing between all the weirds, between the commonplace weird and the really off weird. The fact is the true reality of our situation perched on top of a round ball is more weird than any other actual weird I can come up with.

Drawing and Painting by mirena

Working on Automatic Red - Acrylic and Oil on canvas.

the story of the red i have been looking for is a long one - I once set out to find a perfect red and experimented in various reds. the red i liked turned out to be a never drying printers ink red. Six months out it was still wet to the touch. So i ended up photographing the resulting test and making an animation ( Winter Diagrams ) with it. later, after the fact, i found a corresponding fabric red in a store in the garment district in Manhattan, on 38th street. They had the most amazing collection of textiles in an enormous warehouse. i remember getting a roll of this beautiful red silk like fabric and hauling it back to Chelsea. And after came the acrylic paint i found.. a winsor and newton. and after that came vermillion and some cadmiums in oil. It's kinda the reverse of what you'd expect but these are the best kind of stories.

HOW TO FIX IT IN 10 EASY STEPS by mirena

I have identified 10 easy steps that we, together, can fix this country. And number three is…

3. Eliminate the lawn...

Imagine the entirety of this nation gets busy cutting useless weeds for a couple of hours every weekend - we can figure out practical fusion propulsion if the same amount of resources was applied to doing science.

The solution - either plant something useful like fruits or vegetables and take care of them instead, get a robot ( pictured below) or get goats ( the African kind ).

grass cutting robot

Paints & Pigments & The Sun by mirena

https://plus.google.com/+YonatanZunger/posts/EfmdR6VWvRM  

Follow the link to read more.

"............To be a good pigment, first and foremost, something has to have a nice, bright color. The way pigments produce color is that light shines on them, and they absorb some, but not all, of the colors of light. (Remember that white light is a mixture of many colors of light) For example, red ochre, a.k.a. hematite, a.k.a. anhydrous iron oxide (Fe2O3), absorbs yellow, green and blue light, so the light that reflects off of it is reddish-orange. (This happens to be the pigment that’s used in barn paint, so we’re going to come back to it.) Light is absorbed when a photon (a particle of light) strikes an electron in the pigment and is absorbed, transferring its energy to the electron. But quantum mechanics tells us that an electron can’t absorb just any amount of energy: the particular energies (and therefore colors) that it can absorb depend on the layout of the electrons in the material, which in turn depends on its chemistry.

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