In and around New York

The astonishing sculptures of the Pergamon show at the Met by mirena

Saw the Pergamon over the weekend and just can't get over the fact it's over. The first photograph is a sculpture of the great orator Demosthenes. The lesson from his story is that words need to be backed with actions. The astonishing beauty of these sculptures - not just in person - even from my computer screen they absolutely dominate my consciousness. The craftsmanship, the lines, the stories, the fact that they have been around for more than 2000 years - more than any other object I know.  It is about beauty and eternity… forever beauty.

Since ancient times artists and philosophers have tried to impose a standard - of beauty, of conduct, but the most important is the standard that endures and resonates deep within the folds of our DNA.

I have long been obsessed with classical mythology, the Gods and Goddesses of times long past. They epitome the longing for eternal beauty deep within ourselves.

Myths guide us into the divine in ourselves. All our aesthetic dreams, all philosophy, our dreams as a civilization. Our myths, the main themes of our folklore, our songs, start here.

Did people notice they are in a divine presence? of beauty. Did people realize that we are looking at the cradle of civilization.

This is not about Gods and Goddesses, it is about the great, and not so great, within ourselves.

The great orator Demosthenes was one of the most vocal intellectuals in Athens to warn, unsuccessfully, against the treat posed by the Macedonians to the freedom of Greece. This portrait conveys the mental resolve, not physical strength. An epigram on the base of the original statue read, “If you had power equal to your resolution, Demosthenes, the Macedonian Ares would never have acquired dominion over the Greeks. (text from the Met) As I mentioned earlier and to add a 21st century perspective - often intellectual acts are not enough, certainly not enough against powerful enemies with armies and horses. In life too, words can do only so much and often times action is required to force change in the world. Action is the blood of life and a powerful thinker here missed an opportunity to become a great man.

The astonishing sculptures of the Pergamon show at the Met

The astonishing sculptures of the Pergamon show at the Met

Marble portrait of Aristotle. Aristotle was called to Macedonia by King Phillip II to serve as the tutor of the young Alexander. This portrait is striking for its distinct individuality. It is probably the most faithful of some twenty surviving Roman copies which were presumably based on the posthumous statue in Aristotle’s school in Athens. His short, fashionable beard reflects the fact that, unlike most philosophers, he participated in society and, especially, politics. (text from the Met) This bust is in Vienna.

The astonishing sculptures of the Pergamon show at the Met - Marble portrait of Aristotle.

The astonishing sculptures of the Pergamon show at the Met

The astonishing sculptures of the Pergamon show at the Met

The astonishing sculptures of the Pergamon show at the Met

The astonishing sculptures of the Pergamon show at the Met

The astonishing sculptures of the Pergamon show at the Met

The astonishing sculptures of the Pergamon show at the Met

The astonishing sculptures of the Pergamon show at the Met

The astonishing sculptures of the Pergamon show at the Met

The astonishing sculptures of the Pergamon show at the Met

The astonishing sculptures of the Pergamon show at the Met

The astonishing sculptures of the Pergamon show at the Met

 

The astonishing sculptures of the Pergamon show at the Met

The astonishing sculptures of the Pergamon show at the Met

Next week's show will include animations in part inspired by friends and scored by portland artist Marcus Fischer's album For Friends This Winter by mirena

http://www.mapmap.ch/index.php/sound/for-friends-this-winter/

Doing commercial work is not .... the same as fine art work. Commercial work is a synthesis.  And a lot of it gets done by talking - I used to get in touch with around 20 people when creating art commercially for a specific project - and at the end the work gets evaluated by another set of at least 20 people. While it is not necessarily a committee work as it is done in ad agencies, the work I used to do at Lucasfilm, you could say, was my best shot synthesis on a visual theme. Being "good" commercially meant you were a good listener and interpreter of a cloud of ideas. Sorry ... a very receptive 3d printer.

Fine art work is, on the other hand, genesis. A brand new world is created where you generate an idea, you are the primary vehicle, the messiah, the creator, the motivator, the heavy lifter, the ceo and the heart of the operation. But art is rarely created in isolation and completely without an agenda. Michelangelo worked for the Pope. Renaissance artists worked for the Medici. I personally like when artwork generates several outcomes. winter diagrams were just simple drawings of hands before they were strung together in an animation, then they became a three-dimensional sculpture in Winter - the dress. They will continue to push their way into various forms I am sure, some of the stills from the animations are to become a painting , or several stills combined and interlocked into one painting - I haven't decided yet.

I grew up as an artist creating work commercially and have a lot of the same habits. I love bouncing ideas and talking about work - others' or mine or old masters or new ones.. love dissecting and putting out feelers for the impressions any work leaves on people.

I remember vividly the winter in Brooklyn when I created the animations - although Hand Painted ocean was originally conceived in Manhattan. I came across Marcus Fischer's album For Friends This Winter and decided to use the music for the animations, also feeling that the animations themselves and how I wanted to do them were in large part a synthesis, inspired by many conversations and then a first(i think) visit to one of my favorite museums in New York.  I remember one particular evening with a lot of New-Agey talk, with a girl that was doing New-Agey type massage and having really strange conversations about how she feels her patients with her hands. True? I don't know but deepened my obsession with hands.

Also my friend Rob List had earlier come to my Harlem room and did an impromptu performance which i for some reason filmed, and almost set me on a course:

https://vimeo.com/12269715

The seed for Hand painted ocean and fruit:

Hand Painted Ocean and Fruit from mirena rhee on Vimeo.

I keep the same shifty perspective for my installations where i do value people's unscripted intrusions and impromptu contributions more than my attempts to control a visual outcome.

ART FROM THE BOROS IV Press Release by mirena

By popular demand, Denise Bibro Fine Art announces Art From The Boros IV, on view July 14-August 13, 2016. After a copious amount of submissions and studio visits, forty-one diverse artists were selected to participate in this group show highlighting talent found within New York City’s five boroughs. Art From the Boros IV exemplifies the eclectic artistic community of New York City, showing a varied range of genres of art and mediums. With a nod to the Renaissance and Dutch painting, artists Thurston Belmer and Sally Cochrane create rich, highly representational contemporary paintings referencing the great masters through light and application. Roger Preston’s Heathcliff shares a similar worldly feel in a contemporary fashion as photographer Zeren Badar’s Very first Accident mocks the propriety of the old world. In contrast, paintings by artists Jack Rosenberg and Robert Jessel rely on thick, often staccato brushstrokes to create and highlight their compositions while Courtney Bae’s evenly painted figurative narratives and Petey Brown’s lusciously painted swimmers are quirky and often, whimsical.

The fourth edition of Art From The Boros, also, features three-dimensional works and multi-media videos such as the deftly manipulated wood assemblages by Mikhail Gubin countered by the sleek, polished metal works and bronzes by Daniel Sinclair. Artist Mirena Rhee offers a fresh, personal perspective through animated interpretations of her own hand drawings. In a world that often projects galleries as being jaded and inaccessible, we are demonstrating that we are one that values and shares the desire to keep abreast with the bustling creativity all around us.

Artists: Margery Appelbaum, Zeren Badar, Courtney Bae, Thurston Belmer, Petey Brown, Kenneth Burris, Bob Clyatt, Sally Cochrane, Marilyn Davidson, Andre Eamiello, Laura Fantini, Anne Finkelstein, Mikhail Gubin, Yasmin Gur, Amir Hariri, Robert Jessel, Elizabeth Knowles, Amanda Konishi, Kate Lawless, Amanda Lenox, Park McGinty, Harvey Milman, Maria Morabito, Laura Mosquera, Suyeon Na, AJ Nadel, Douglas Newton, Kathleen Newton, Lisa Petker-Mintz, Ben Ponté, Roger Preston, Chelsea Ramirez, Mirena Rhee, Jack Rosenberg, Zvi Schreiber, Daniel Sinclair, Jeff Sundheim, Paul Antonio Szabo, Scott Walker, Lucy Wilner, and Charles Yoder. Opening Reception: July 14, 6-8pm For more information call (212) 647-7030, email info@denisebibrofineart.com, or visit www.denisebibrofineart.com

 

ART FROM THE BOROS IV Press Release

Winter Diagrams: January goes on exhibit on 4 Times Square as part of “The Beauty of Color” by mirena

 Mirena Rhee, Winter Diagrams: January  

 

Show is organized and curated by http://www.see.me/

 

As part of this show I put together a new squarespace site as a trial.. please, enter code to view:

https://mirena-rhee.squarespace.com/

 

Prints currently available exclusively on saatchi:

http://www.saatchiart.com/art/Drawing-Winter-Diagrams-January/93024/2260698/view

Unfinished paintings by great artists at the Met Breuer - for an artist it is a revelation. by mirena

Unfinished show at the Met - favorite unfinished piece so far is a Van Gogh, painted just before he died, it is the ultimate interruption in an artist's work.

Zoom into a Leonardo.

Jan van Eyck

 

I thought the show was magnificent and made me weak in the knees, thanks to Ian Mack for letting me know so I hurried to see it.

I'd pick two rooms, one with a Van Gogh, another with Michelangelo, Leonardo and Van Eyck.

Can't imagine anything better than being in a room together with Michelangelo, Leonardo and Durer, with a Van Gogh across the hall.

After several centuries crowds gather enthralled by little pieces of cloth and wood with scribbles on them. The two Leonardos are the size of a letter. Such is the power of art.

There are no chests filled with gold and emeralds, no food, apparently no one is naked, no clowns juggle in the halls, but everyone is quietly in a trance in front of these great albeit unfinished works. Such is the power of art.

There's also Rubens, El Greco, Rembrandt, Titian. The titans of paint in all their unfinished glory. It happily confirms my convictions in the power of art to wiggle out of centuries and entertain fresh crowds.

I went to the source museum for the Van Gogh's piece and turned out it is a museum in Finland which has the painting.  Naturally they had a very high resolution photograph of it online for your viewing pleasure here:

http://kokoelmat.fng.fi/app?si=http%3A%2F%2Fkansallisgalleria.fi%2FE42_Object_Identifier%2FA_I_755

. Van Gogh painting unfinished - at the Met unfinished show

SciCafe: Life, the Universe and Everything with Neil deGrasse Tyson by mirena

There are very few things that really stop me in my tracks and I can watch and listen to for hours on end without ever getting tired - one of these things is anything Space and Cosmos. I could live on  Nasa.tv and steamed broccoli. Neil deGrasse Tyson, an astrophysicist and Director of the Hayden Planetarium at the American Museum of Natural History, talks about Newton and the importance of keeping the lines of thought and conversation open. He says when open conversation ratchets up - you make discoveries and you make discoveries rapidly..

Jeff Koons, Kara Walker, Ed Ruscha and I by mirena

...all at Postcards From The Edge - A Benefit for Visual AIDS. January 25-27, 2013 @ Sikkema Jenkins & Co - 530 West 22nd Street, NYC.

The 15th Annual POSTCARDS FROM THE EDGE Featuring artworks by Mirena Rhee, Ann Hamilton, Donald Baechler, Kara Walker, Dana Schutz, Bjarne Melgaard, Marilyn Minter, Burt Barr, Kiki Smith, Ed Rusha, John Baldessari, Louise Fishman, Arturo Herrera, Ida Applebroog, Ross Bleckner, Rirkrit Tiravanija, Katherine Bernhardt, Nayland Blake, L.J. Roberts, Marcel Dzama, Catherine Opie, Tony Feher, Mary Heilmann, Jim Hodges, Julie Mehretu, Jeff Koons, Robert Longo, Moyra Davey, Bill Viola, Jane Hammond, Lawrence Weiner, Kay Rosen, Jack Pierson, Louise Lawler, John Waters.

A few great things - Damien Hirst's Spot paintings, The Happenings at Pace by mirena

I had heard so much criticism about Damien's Spot paintings before going to the three New York shows, that I had the sneaky suspicion I am going to love them. They gave me pleasure - pleasure is hardly an argument - you either like having it or not. The flavor colored paintings made me want to lick every single dot, were named after various chemical substances and defied Jerry Saltz's argument "You see one, and you really have seen them all." In fact, they all tasted different. When I think of Damien - I also can't help but think of Zaphod Beeblebrox. Hey, if that artist's intent is to make a lot of money - that is not a reason to reject the work - although this is not my intent but can't speak against that being someone else's. The spots aren't things by themselves and they do not create a traditional artistic value (via the artist's hand ). We all know from math that a dot cannot be defined as having a substance, it's a destination. Each room of the three Gagosian galleries was brilliantly hung - thus all the paintings in a room worked together with scale to triangulate space and create a giant, Three-dimensional musical piano ( you know, the toy ones - i had one when i was a kid ).

It was a pure pleasure to indulge in the simple language of color, to occupy the space within the dots and just listen to the music.

When I think of Damien - I also can't help but think of Zaphod Beeblebrox. Hey
Damien Hurst Spot paintings at Gagosian gallery on  24th St, New York
Damien Hirst Spot paintings at Gagosian Gallery on Madison ave in New York

The exhibition Opening at Pace gallery's Happenings: New York, 1958-1963 was packed with the Who's Who in the art world today. Although the crowds for the most parts obscured the actual show - I think it was more or less the point. The exhibition opening was, all over again, a Happening on its own.

Works by Jim Dine, Simone Forti, Red Grooms, Allan Kaprow, Claes Oldenburg, Lucas Samaras, Carolee Schneemann, and Robert Whitman.

Anonymous by mirena

This piece was inspired by a climbing wall I saw in Brooklyn. A climbing wall is usually littered with tiny boulders of various shapes and sizes and your climbing path is marked and color-coded with tape. Say, black tape with a stripe designates a VO, a beginner's path, a dark red could be a V6, a path for only experienced climbers. I thought the climbing wall was a good metaphor for life, with the tape off.

This piece went this past weekend to Cheim & Read's Postcards from the Edge.

Postcards from the Edge benefit for Visual AIDS is this Weekend by mirena

I am participating in Postcards from the Edge benefit for Visual AIDS with a very special piece.. Hosted by Cheim & Read, 547 W 25th St, New York

The Preview Party is tonight: Friday, January 6, 2012 from 6:00 - 8:00 PM

Benefit show: Saturday, January 7, 2012 from 10:00 AM - 6:00 PM Sunday, January 8, 2012 from 12:00 - 4:00 PM

100 percent Ultra Violet by mirena

I went to Ultra Violet's studio this past weekend to take photographs of her and her work. Ultra Violet said the first person she met off the boat ( arriving from France in the 60's ) was Salvador Dali.  She became his muse, and later on, became a muse to Andy Warhol and a superstar in his Factory. Ultra Violet with her piece 99 percent, in her studios in Chelsea

Ultra Violets piece IX XI in memory of the 9/11 attacks

tiny versions of the IX XI pieces

A few more digits by mirena

Painter Scotto Mycklebust, is putting together Revolt magazine, an art-talk large format, limited edition paper. I am heading down to Occupy Wall street to take some photographs for the first issue.  Also saw De Kooning show at Moma for the second time.. barefoot because my shoes were too tight and I couldn't think properly. I took the shoes off, and this being New York, no one seemed to care except that I gained a different perspective.. could be the height but this time I loved De Kooning's last paintings.