Open Studios - Thank you for your patronage! /
Roxy Paine, no more words /
I invite you to Pen and Ink Drawings Open Studio and Preview Exhibition Party /
I would like to invite you to Pen and Ink Drawings Open studio as part of High Line Open Studios Chelsea 2010 - Oct 15-17, 526 West 26th street, suite 303, Fri 6-9 pm, Sat and Sun 12-6 pm. I will be participating with new pen and ink drawings.
Link to the online invite is here: http://mirenarhee.com/mirena_rhee_invite.jpg
There is going to be an accompanying Exhibition Opening Party for All High Line artists, which will be held at 508 West 26th street, suite 5G, Thurs, Oct 14, 2010 from 6 to 9 p.m. The exhibit will remain open Oct 15-17, 2010, Fri, Sat and Sun from 12 to 6 p.m.
Facebook page for this event: http://www.facebook.com/#!/event.php?eid=124283857625985
I would be happy to see you if you can make any of the days/events. Please, feel free to forward around. There are many other artists participating in the event, all within a few blocks around West 26th street in Chelsea. If you can't make my studio perhaps you can visit theirs: http://www.highlineopenstudios.org/artists.html
Thank you for your support!
Abstract Expressionist New York /
What a stunning exhibit at the MOMA tonight. I am not going to say it was well curated as I am not going to say MOMA is a good museum. It was genius, brilliant, inspiring world class art. I personally rediscovered Pollock and not because I found something new, I found the artist rediscovered himself. That's bravery in art and has very few masters. The paintings loved being together and brought out the best in each other. Just like mass and energy, energy brings more paint and more paint bursts with energy. What an opportunity to be with art, to feel it's power to change.



A Great poem that inspired me /
The Seventh (A hetedik) by Attila József translated by John Bátki
If you set out in this world, better be born seven times. Once, in a house on fire, once, in a freezing flood, once, in a wild madhouse, once, in a field of ripe wheat, once, in an empty cloister, and once among pigs in sty. Six babes crying, not enough: you yourself must be the seventh.
When you must fight to survive, let your enemy see seven. One, away from work on Sunday, one, starting his work on Monday, one, who teaches without payment, one, who learned to swim by drowning, one, who is the seed of a forest, and one, whom wild forefathers protect, but all their tricks are not enough: you yourself must be the seventh.
If you want to find a woman, let seven men go for her. One, who gives heart for words, one, who takes care of himself, one, who claims to be a dreamer, one, who through her skirt can feel her, one, who knows the hooks and snaps, one, who steps upon her scarf: let them buzz like flies around her. You yourself must be the seventh.
If you write and can afford it, let seven men write your poem. One, who builds a marble village, one, who was born in his sleep, one, who charts the sky and knows it, one, whom words call by his name, one, who perfected his soul, one, who dissects living rats. Two are brave and four are wise; You yourself must be the seventh.
And if all went as was written, you will die for seven men. One, who is rocked and suckled, one, who grabs a hard young breast, one, who throws down empty dishes, one, who helps the poor win; one, who worked till he goes to pieces, one, who just stares at the moon. The world will be your tombstone: you yourself must be the seventh.
I love the number seven plus you can find more great poems here: visit http://www.poets.org/page.php/prmID/590
Loft and Found /
They say in New York, you learn something new every day.
Recently I had to move some of my things across town. Once The taxi driver saw my luggage he refused to take me. With all my things on the sidewalk I had to beg. And he grumbled. I kept loading my things - and we got going... and once we reached a really bad neighborhood, the car broke and stopped. We were in the midst of a sea of cars swerving left and right around us. There was a moment of silence and something in me told me that the Driver and I were there to learn a lesson.
The taxi driver was in sheer panic. Then, amidst all the traffic, a person from the streets approached us. After a conversation I could not hear The Driver took out some dollar bills, handed them to the stranger and the stranger disappeared from sight. We knew we may never see the bills or the guy again, and waited. In a few tense moments the stranger appeared, crossed the sea of cars towards us holding a tube of car oil. The oil went in the car, the car started, we thanked the stranger and he smiled from ear to ear, his face transformed in a bliss of goodness.
Well, all this is not news in New York. The matter was that after this incident the Driver's attitude turned 180 degrees, he became the nicest person, talked to me about doing good things to others and ultimately helped me with my luggage once we got home, made sure I was ok and safe. And I remember he told me: "In New York, you learn something new every day". I think Driver, Stranger and I all learned a lesson that day.
A portrait /

St. Marina day /
A hot day in New York and a big holiday in Bulgaria, St Marina's day is my grandfather's and my name day. In the Orthodox Christian tradition and in the old days in Bulgaria, the name day was considered a personal holiday bigger than the actual birthday of the person. Wikipedia says that Name days in Bulgaria are important and widely celebrated. By an ancient Bulgarian tradition, everybody is welcome on name days; there is no need to invite guests.
My grandfather was a successful businessman and a self-taught painter. After 1947 his fortune was nationalized and he was declared an enemy of the state. I always remember him glued to the BBC and Voice of America. I grew up in my grandparents' house and remember that a mustached person from the Party also always lived there. My grandfather drew and painted well into his 80's and had a great sense of humor, sang beautifully and had a very laid back attitude for just about everything. An anecdote says that one of his aunts warned him that his apprentices are stealing... and he said:" There is something for me and something for them."

What is the matter? /
I spent some time at the Brooklyn museum with Kiki Smith's drawings, ink and glitter on cream colored paper, and with large Egyptian reliefs and works in stone done millennia before the word art was invented. What is it in art that moves so ? What is in a Picasso print, what transpires in a B.C. marble, what is in a Vatican fresco and a Dying Slave? What's the Black in a black Goya painting, what's eating us in a Bosch, where is the De Kooning woman going on her bicycle, which anonymous artist painted the thousand hands of this Shiva? Why does Monet shimmer, why is that man with an apple for a face, how many birds do you see in an Escher, why is the triangle of light in Rembrandt so mysterious? Where is the light in a Vermeer coming from, why are there 500 species of flowers in a Botticelli, why am I going around in circles trying to find out where the wind is coming from that is blowing these cypresses, and why is mouth and flesh in a Bacon so maddeningly beautiful? Why is art so beautiful?
A poem written by Mirena Rhee during the wash cycle at the corner laundromat.
a digression. /
Hand Painted ocean and fruit - animated collage of pen and ink drawings.
Hand Painted Ocean and Fruit from mirena rhee on Vimeo.
Intent sometimes takes years to grow - you have a vision in your head but it may take years for it to become optically evident. In the commercial world intent is focused on a product but in art, luckily, intent grows together with the artist realizing that intent. There is a flow to this process, an easy state.
This is a piece about a queue of vague thoughts, gestures, earlier work and some paintings at the Rubin museum of art in New York. It is also about conversations and acts of confession from other artists. Whenever I draw or work on my computer I mostly watch hands theater, it is an endless act of creation and an act of war.
It is also about how living in Manhattan change me, it is about turning inward and imploding my personal space. It turned my attention to my intimate space, science defines it as 1.5 meters in diameter. A realization that a simple act of peeling apples actually is an extraordinary act on micro-level, where electric storms of electrons introduce ordinary changes in reality. This "hands theater" is in essence a violent act, not in the way of doing harm but an epic battle to make change, to rupture. Hand painted ocean and fruit ( Manhattan series ) - 40 x 10 inches, pen and ink on hot pressed board, 2010
Music by Al Dimeola, John Mclaughlin & Paco Delucia - Azzura.
https://www.mirenarhee.art/hand-painted-ocean-and-fruit-mirena-rhee.mp4
World cup /
I am not into sports but grew up watching soccer just like other kids grow up watching cartoons. So on my way to Lehman Moupin I stop by a LES bar to take a look - USA is playing England and I have a Stella Artois while we suffer a goal.
I am on my way to see a gallery on the Lower East Side which has work by a Korean artist who comes from a "cyber architecture" background. I am interested to see the work in person and find out if it is a linear translation of a digital creation.
In art, as in games and life, controlled spontaneity is difficult to master. 201 Chrystie St., New York, NY 10002
Manufactured Realities /

As an artist I am in the business of manufactured reality - when I draw or paint or make 3d worlds I destroy pristine surfaces, sacrificing the blank page, the white canvass and the empty page for imaginary creations.
On Louise Bourgeois /
Today is a very sad day ( I am writing in the early hours of the next day but for me today hasn't passed yet ) - Louise Bourgeois passed away in her home in Manhattan, I was just telling a friend of mine last night that I finally had her number and wanted to call and visit her. And today was also the last day of Marina Abramovich's show at the Moma, where I practically moved in the last few days. It was my dream to talk to Louise since she adressed a number of issues I have always struggled with, and not just struggled I would say blackly terrified. Pain, fear, frustration and suffering, power, red. So often i am overwhelmed by anxiety and fear, I am terrified of power and pain, I could not casually look at violence or watch tv and switch between real and staged sufferings with a button. I learned from Louise how to use the color red, how to "give meaning and shape to pain".
An artist practices vulnarability and that's part of the trade, an artist often crosses to the other side and claws into the subconscious and that is a gift. Louise once said: "I have been to Hell and back and let me tell you it was wonderful."
Bay to Breakers Portraits /
This series for me is a collective reflection on the human condition. Behind the funny hats and painted faces are the anxieties we face in the 21 century - terrorism, global disaster threats like the Swine flu, freedom to choose partners, freedom to accept other people's choices, the environmental Health of our Spaceship Earth, globalization, multiculturalism and the extinction of identity.
Exquisite Corpse II /
Exquisite Corpse II exhibit next Saturday /
Exquisite Corpse II exhibit Opening reception is next Saturday, April 17th 6:30 - 10:00 PM @ Market Street Gallery: 1554 Market St, Between Van Ness Ave and Franklin in San Francisco. Artslant published the info & invite. This will be the culmination of Absurdas group collaborative effort - for more on our process see our facebook page.
















