Uncategorized on Purpose

More on what the Silicon Valley gave me - vol2 by mirena

Couple of additions to my first post - The museum of modern art in San Francisco had a great permanent collection, they also had incredible exhibitions like the Magritte show which opened an entire new world for me - that of surrealism. My first lesson in art was also at the SFMOMA but oddly enough it was about photography. So there was this major retrospective of Richard Avedon, whom i admired at the time and then there was this show of Robert Frank photographs downstairs. And here for the first time I saw the problem with commercial art standards. So there were these giant gorgeous portraits made by Avedon but because of the commercial strategy and commercial standards he adhered to - they lost their human emotion power battle to the much smaller but made from the heart photos made by Robert Frank. It is all about the punch to the stomach, and that can't be faked with special effects and expensive lighting.

So the lesson was that if it wasn't a battle that the artist fought, if it is not coming form the center and the heart, if it is not true to an inner standard - it won't win the long game. And this is the story with William Bouguereau - incredible technique and special effects, and no punch to the stomach, at least for me.

More on what the Silicon Valley gave me by mirena

Work in the valley gave me an an unlimited travel budget, in addition to a hunger to find the best players in what I considered my field. My field was art and through interactions with other artists and research on my own I decided to focus on the top players in my field, and study their work in person.  

So I went to London and went through the National Gallery as well as the Portrait Gallery and other museums, not sure what my top artist was there but a lot of Renaissance. I went to Paris to study the impressionists, my visit to Musée d'Orsay changed my entire attitude and changed the way I look at art. Until that point I had not much respect for impressionism. After that point I gained much respect for both impressionism and art, and got a glimpse of what a profound change in seeing involves.

With this newly gained perspective i started looking at Van Gogh. I went to Amsterdam and the Hague and in addition to Van Gogh looked at Rembrandt, Bruegel and the Northern Renaissance. I discovered Vermeer in person - I was running through a gallery at closing time and arrived, almost out of breath, at one of his smaller paintings. I was stunned and this small painting took my last breath away.

Anyway - back to Paris I resumed studying with sculpture and painting, and started studying Picasso and Dali. I continued my education on Picasso and Dali in Madrid, where there are three major museums stuffed with the best the world can offer in terms of painting, including Goya, and Hieronymus Bosch. My interest in Bosch came after I got acquainted with surrealism, and his work as a sort of a predecessor, the first surrealist.

Now big impact on my consciousness was of course Rome and Florence. The Vatican museums and the Uffizi produced in me growth equal in its intensity to that of going to the moon. I stared at the Botticelli and other pre-Renaissance for hours on end. Most impact on me in Rome was produced by the sculptures in the Vatican museum, and by the work of Michelangelo. Later i saw Bernini in person as well - I spent a whole day with his sculptures at Galleria Borghese.

With all this newly acquired knowledge and new standards I started spending more time in New York and the galleries there. I was flying on weekends to see the major museums, including MOMA and the Whitney. Modern art entered my consciousness, with the solid backing of old art.

And here I will pose for a minute, because art has and will always be at the forefront of what I consider worthy of thought. But there is another thing I discovered, which is a school of thought which dealt with how we see the world, and it had little, if anything to do with art.

I went to Japan, and in a summer I spent time in several temples of the Rinzai school of Zen in Kyoto. Sitting on the mats somewhere in Arashyama, surrounded by ponds and zen gardens, I was struck by lightning. Her I found, I saw and felt, the ultimate efficiency and beauty of simplicity. I saw and felt the effects of Zen and later on adopted that outlook for my life.

What did the discovery of Zen mean? It meant that on my return to America I started seeing how much time and resources we expend on things that fill our rooms and our environment. I remember a conversation with someone about their experience with a seventy thousand dollar kitchen in Westchester. Imagine the amount of pressure and resources that would take to cut up a simple salad. it's like having dinner and dragging a locomotive behind.

When I think of dinner - i imagine going to the fruit stand guy on the corner, having an avocado, a few tomatoes, fruit, eating it in a park or in a nice public space somewhere in Manhattan and using the rest of the time and resources to have fun and enjoy the company of family and friends, of galleries, museums and theaters, libraries if you want, of which our city abounds.

To sum it up and to circle back to the title I gave to this post - I had the piece of mind and resources to study what mattered to me without the pressure to produce immediate results and act on the so gained knowledge, and to expand my outlook on the world and find a set of beliefs and standards for life that struck a chord with me.

The best lessons I learned in the Silicon Valley, and a few more things by mirena

Number one is the ultimate skill of cooperation with strangers - I now notice that i can relate to many people from all walks of life completely and with ease and within the first few minutes, and I did not have a very social job per say. The job of the Silicon Valley artist is pretty much long hours of grind, on the surface.  However there is the unique aspect of technology which permeates any Silicon Valley job. When you have complicated tech you have to leave the confines of your computer desk and start talking to people. Since 50 percent of your job may end up being trouble shooting and problem solving. It is not uncommon as part of you job, for you to need to communicate with people from the top to bottom, to engage the CEO, your manager, your colleagues. complete strangers with huge responsibilities who you have never met before  and where they are not your friend, relative or acquaintance. I didn't realize until much later what a huge role social interactions had in the valley. And it didn't really dawn on me, until much later, the fact that everyone in San Francisco is overly nice somehow is part of the secret sauce of the valley success. I remember my parents being almost taken aback by the niceness of people, I remember them telling me they thought all the niceness seemed very fake. However they got used to it so much that they talk about it until this day.  

This is the reason I recommend, even for artists who eventually may choose a life outside of an organization - take a job for a few years in a high pressure environment, a boiler room, a pressure cooker, a place with high pressure and high standards. If you can get in the best company, in the top place to compete with the A-players. A few years in the top company in the world equals 5 years of education in a top university. And ultimately this is not about compensation at all, it is about growing to the point where you outgrow most of your peers and start seeing a new horizon. It is important to step on a pretty high place to see the farthest.

Art Truck by mirena

http://mirenarhee.com/performance/art-truck/mirena-rhee-art-truck.html Art Truck - performance and installation with public participation

I will rent a 24 foot moving truck, package it in primed canvas and park it at rest areas and parking lots along the i-95 highway. I will have acrylic and sign paints (all water-based paint ) available as well as brushes on sticks and ask the audience to paint on the truck. Canvas will be hung alongside cargo area of the truck (see diagrams) using fishing line. Truck will be protected with plastic drop cloth underneath canvas. The intent of the piece is to ultimately collaboratively produce a 56 feet long painting.

The Art Truck is special in that it was originally inspired by the American trucking culture I have long been fascinated with. I meant it as a country version of an art installation, where a large truck makes frequent stops along highways – at truck stops and rest areas, and out of the cargo hold come art materials. Primed canvas is stretched over the truck and then a quick and impromptu painting happens with people that happen to be there.

This is also the mini version as I'd like to go with a 24 ft truck. Looks like a 24 ft one could easily be rented one way between Florida and New York.

 

Art Truck - installation proposal by Mirena Rhee Art Truck - installation proposal sketch by Mirena Rhee

Art Truck sketch - installation and performance with public participation by Mirena Rhee

Art Truck - installation and performance with public participation by Mirena Rhee

 

Think for yourself first - my "i am always writing" book, and this is number one rule in it by mirena

We are back to relying to the opinions of all kinds of royalty, media royalty, political royalty, opinion royalty, kitchen royalty, banking royalty. We forgot that it took storming the Bastille to establish the equality of the common man and this is what this country is based upon. The sweat and the thought of the common man. in fact the most important thing and rule number one is - think for yourself first. The gift of the enlightenment combined with our 21st century ability to access all information instantaneously… always depend on yourself to think, learn to develop your judgement with historical or any other perspective you choose.

You are the utmost authority, chances are the learned have as many chances to get it right as any of us.

Self-reliance updated for the 21st century.

Having recently become overly reliant on images and words from long times past, on this glorious July morning occasion I wanted to mention that the most important words and thoughts you will ever read and have are your own. No one else is more important or wiser than what you got inside. That’s why we were given this faculty – and this is why the thoughts of “sages and bards” are only second to the bard inside.

World Trade center sketch I did in Tilt Brush by mirena

I have had this realization for a while now but for me certain death is not being able to create and just throw things out there and mess with various mediums until something new hatches. I have had many instance in my life where I had to go by on $5 a day.. heck, I had done it for months at $2 a day ( hello dollar pizza ) - but I cannot imagine my world without the adventure of art. I can go on without food but without having to use my faculties and writhe my hands into drawings - I can't do.

Vader Tesseract by mirena

Vader Tesseract is a sculpture I made in Zbrush based on my recent encounter with three NYPD detectives who decided to visit one morning and encountered my vader drawings on the wall, and almost decided to buy one on the spot. No worries not in trouble myself but realized I indeed have a vader drawing on every wall, almost a Vader Tesseract.

Vader Tesseract - a sculpture I made in Zbrush based on my recent encounter with three NYPD detectives who decided to visit one morning and encountered my vader drawings on the wall, and almost decided to buy one on the spot. No worries not in trouble myself but realized I indeed have a vader drawing on every wall, almost a Vader Tesseract.

 

The ArtTruck - coming to a Manhattan street soon by mirena

The ArtTruck installation has long been in my head, even before the time I made my cross country drive between Florida and California, about 3000 miles which I used wisely, to think. TheArt truck is special in that it was originally inspired by the American trucking culture I have long been fascinated with. I meant it as a countryside version of an art installation, where a large truck makes frequent stops along highways - at truck stops and rest areas, and out of the cargo hold come art materials. Primed canvas is stretched over the truck and then a quick and impromptu painting happens with people that happen to be there.

To make it work in Manhattan I went to U-haul on 23rd street and took some measurements and decided to use a van for the first ArtTruck project. Then I found a 3d model of a similar cargo van online and draped /dressed it in primed canvas to visualize what wrapping it and then painting it might look like.

Roadside Attraction - ArtTruck visualization. A Mirena Rhee installation coming soon to Manhattan.

Roadside Attraction - ArtTruck visualization. A Mirena Rhee installation coming soon to Manhattan.

Roadside Attraction - ArtTruck sketch - i chose a U-haul van and went to Chlsea to measure one. A Mirena Rhee installation coming soon to Manhattan. Roadside Attraction - ArtTruck sketch - i chose a U-haul van and went to Chlsea to measure one. A Mirena Rhee installation coming soon to Manhattan. roadside-attraction-art-truck-old-proposal-mirena-rhee-web