Eiko, from Eiko&Koma, dancing A Body on Wall Street. It is pure gold and right on the money, so to speak.

A Body on Wall Street: https://www.flickr.com/photos/eikoandkoma/albums/72157669071236502/with/27573558595/

..

Isabelle Collin Dufresne - Ultra Violet, an artist and muse to Salvador Dali and Andy Warhol. I photographed her and her work in her studio in New York.

"The Messiah is The Message" is one of Ultra Violet's works that spoke to me the most. It is a message I firmly believe in - you only bring to the world what is truly in you. The purpose of the life of an artist is to distill a message through their practice, artists are the priests of the unknown which they make known through their work.  

Please, email me for usage rights & licensing, the following photographs can't be used in any kind of media & blog without my written permission.

Rest in Peace, Ultra.

BBC - Travels with Vasari

Small talk and other small things

We do not need to communicate novel ideas in order to engage socially.  Often we use language to reinforce our current standing in the world and to reaffirm having something in common with others.  One of the great things about reddit is that I found out how many idiots just like me are out there which was very reassuring. I am saying that about reddit with affection as I have learned a lot about the world and myself through that little social media folly.  

/u/Prince_Jellyfish on the purpose of small talk. (reddit.com): https://www.reddit.com/r/AskReddit/comments/3ss8oz/people_with_high_social_skills_whats_the_biggest/cx02xgd

[–]Prince_Jellyfish 2689 points 6 months ago*x3: This will get buried, but I'll say it anyway in hopes that someone will find it useful:

Misunderstanding the purpose of "small talk." I have friends with poor social skills who say they 'hate' small talk, and find it pointless. I suspect some even consider themselves superior to people who engage in 'pointless chatter'.

They misunderstand the point of small talk is not explicitly in what is discussed, but in the subtext. The subtext of nearly all small talk between strangers is essentially: "hey person who is externally different than me: we are fundamentally the same! We are both people that experience life in the same ways. You're one way, I'm a different way; but there's many ways in which we experience life that are similar."

"Some weather we're having." "Yeah, boy, it sure got cold quick."

This is not an exchange of information about the weather; it is two humans drawing closer by emphasizing that both of their lives are impacted simultaneously by forces outside their control, and secondarily that they live in the same geographical area.

"Just got back from a few days in West Texas." "Oh, I drove through Lubbock a few years back. Real good brisket." "Yeah! It's amazing, right?"

Oh, you and I have different clothes, hair, and religious beliefs; but we've had a similar experience to which we reacted a similar way.

"Did you catch the game this weekend?" "Man, what a finish!" We've never met before, but we both invest in sports as a way to safely express emotion in a public space by using the triumphs and heartbreaks of athletic competition as a proxy for our experience; and we both experienced those same feelings together yesterday, even though we hadn't even met.

Advanced examples: "Did you catch the game this weekend?" "Oh, gotta tell you: I'm a Giants fan." "No! That's criminal! How can you support those bastards!?" "Well my grandpa was a fan, he passed it down to me" OR "well, growing up, I never followed sports. But one day I decided to follow baseball, and I fell in love with the game. Lived in San Fransisco at the time.."

You and I like different teams, but we both like teams and so are the same.

"Have you ever listened to the NPR show The Moth?" "No, I never have. Should I check it out?"

Person two is saying: even though we can't bond over this shared experience, even though we've only just met, I trust you with my time and attention. I'm interested in things you find important and take you seriously.

Solidarity talk: http://grammar.about.com/od/rs/g/Solidarity-Talk.htm

Fresh off the presses - a great thread on reddit that shuttered my own Tuesday feelings of self-importance. If atoms are 99% 'empty space', how big would the universe be if we compressed every atom down to it's most space efficient arrangement, essentially leaving no space between particles?: https://www.reddit.com/r/askscience/comments/4mvupc/if_atoms_are_99_empty_space_how_big_would_the/

"...We are more like disturbances in the cosmic pool of probability and causation.." literally blew my Tuesday mind, I am gonna try and make it to the weekend without going insane.

Winter Diagrams: January goes on exhibit on 4 Times Square as part of “The Beauty of Color”

 

Show is organized and curated by http://www.see.me/

As part of this show I put together a new squarespace site as a trial.. please, enter code to view:

https://mirena-rhee.squarespace.com/

Prints currently available exclusively on saatchi:

http://www.saatchiart.com/art/Drawing-Winter-Diagrams-January/93024/2260698/view

Stills from an interactive simulation of pen and ink drawings

Interactive simulation of pen and ink drawings, a simulated shifting landscape where you interact with pen and ink drawings assisted by gravity. With simulated soundscape - I pre-recorded the individual collision sounds but the resulting soundscape is simulated in real-time. Humpty-Dumpty grew out of a simple drawing: http://www.saatchiart.com/art/Drawing-Humpty-Dumpty/93024/3006623/view

Thanks to an inspiration form Denise from Denise Bibro Fine Art.

Humpty-Dumpty, interactive simulation of pen and ink drawings

Please, play in HD. Dip pen and ink drawings assisted by gravity. Created, animated and simulated with Maya and Unity. Soundscape with Garage Band - prerecorded the collision sounds and the soundscape is thus entirely simulated in real-time in Unity.

Humpty-Dumpty is an interactive simulation about a drawing of the same name: http://goo.gl/iEY06h Also starring New York Red: http://goo.gl/PYd2MN

Windows app ( opens dropbox ): https://www.dropbox.com/s/uk52tnixzt7jybm/humpty-dumpty-windows-app.zip?dl=0

OSX app ( opens dropbox ): https://www.dropbox.com/s/n1w7zkr26inst4t/humpty-dumpty-osx-app.app.zip?dl=0

Humpty-Dumpty is a landscape of the mind, it is about the battles of good and evil, the small ones in our minds.

Humpty-Dumpty - interactive simulation with pen and ink drawings

Humpty-Dumpty, 30 x 40 inches, pen and ink on hot press board, 2016

 

http://www.saatchiart.com/art/Drawing-Humpty-Dumpty/93024/3006623/view

How To Count Past Infinity - we came up with Omega.. and it was good

Thanks to Cedrick Collomb for this large dose of Omega.

Curiosity Looks Back

televisions, meat, diamonds, couches, brand new lawns, pools of various sizes, lawn chairs, wars for all of the above... yet Curiosity is roaming completely oblivious to all of this. Down the thread on reddit people are getting excited about dirt biking on Mars, just like back home. What a great time to be alive.

Thanks to reddit and https://www.reddit.com/r/space/comments/4ktoha/curiosity_looks_back/

Curiosity Rover mission page on NASA's website: https://www.nasa.gov/mission_pages/msl/index.html

( funny thing, it turns out i like (reddish) brown, my dad likes brown and from what he told me my grandma also liked brown )

I have everything

This is a combination of two posts I wrote a year ago and decided to revisit as part of putting together the "I have everything project".  In addition to an essay, the project also includes installations, collages, digitally manipulated photographs, photographs of various objects and a sound recording.

"I have everything" project started with ( even before ) moving from the Marina in San Francisco to a small room with a red chair in Harlem. The title I got from a message I scribbled over a Nordstrom catalog. It is so brash, of course no one ever has everything and it is factually incorrect. Because you ever only need one thing - the ability to think independently.

For centuries people found comfort and security in being told what to think. Peoples have been thinking the thoughts of kings and queens, the thoughts of their masters, the town elders , the pharaohs, the priests ( don't get me wrong I am religious but I argue and think about my religion and don't you ever take that from me).  For if there's a great gift that the French gave to the world it is the opinion of the common man.

Now as part of this project, being a common man myself and also confronting the Occupy movement in New York, I made several sound recordings where I reflected on the question of what is it to have. Occupy had stratified people into the 99 and 1 percent, where there were some that had more than the others.  I made a thought experiment of trying to determine what is it to have.

What is it to have? To hold? How is it that we are having it when we are not holding it? How do we have the things that we supposedly have like our limbs. We posses temporary control over a collection of molecules that responds to electrical stimuli? Is that the having? But we do own supposedly things that we neither hold nor electrically stimulate. How  are we sure. It is a fascinating subject.

When I open a newspaper it is as if we never went through the Enlightenment. It is full of guided content and regurgitated narratives of sex, guns, and money. Have you ever wondered how many girlfriends Kant had, or Plato? Did you ever wonder how much money Van Gogh had? None.

No one ever tells you that the most important thing that you own, apart from your good health and the proper function of all your organs, is your ability to think independently. And the second thing is your ability to express and argue your opinion in public. These were the two Dreams of the Enlightenment.

In his Essay What Is Enlightenment? Kant defines Enlightenment as  "man's emergence from his self-imposed nonage. Nonage is the inability to use one's own understanding without another's guidance." For his  second dream he says "the public use of one's reason must be free at all times, and this alone can bring enlightenment to mankind."

Once you have traded your goods and services, obtained lodging and food, secured your home, sturdied your frame and medicated your body, feel free to use the greatest gift you may ever have, free thought.

I have everything, 19 x 11 inches, sharpies on the back of a Nordstrom catalog, 2011 - Mirena Rhee

I have everything II, 23.1 x 15.3 inches, digital collage, 2011 - Mirena Rhee

The paper dress I am wearing is a 30 x 40 inches mixed media collage over a c-print of my Lucasfilm W2:

I have everything paper dress, 30 x 40 inches, collage over c-print, 2011 - Mirena Rhee

The Plank constant

Insofar as we understand the universe – if it can be understood – our doings must have some desire for order in them; but from the point of view of the universe, they must be very grotesque. As a matter of fact, the idea of “order” reminds me of something Jack Tworkov was telling me that he remembered of his childhood. There was the village idiot. His name was Plank and he measured everything. He measured roads, toads, and his own feet; fences, his nose and windows, trees, saws and caterpillars. Everything was there already to be measured by him. Because he was an idiot, it is difficult to think in terms of how happy he was. Jack says he walked around with a very satisfied expression on his face. He had no nostalgia, neither a memory nor a sense of time. All that he noticed about himself was that his length changed!

Willem De Kooning, written in 1950 for a lecture series at Studio 35 on Eighth Street in New York.

Unfinished paintings by great artists at the Met Breuer - for an artist it is a revelation.

Unfinished show at the Met - favorite unfinished piece so far is a Van Gogh, painted just before he died, it is the ultimate interruption in an artist's work.

Zoom into a Leonardo.

I thought the show was magnificent and made me weak in the knees, thanks to Ian Mack for letting me know so I hurried to see it.

I'd pick two rooms, one with a Van Gogh, another with Michelangelo, Leonardo and Van Eyck.

Can't imagine anything better than being in a room together with Michelangelo, Leonardo and Durer, with a Van Gogh across the hall.

After several centuries crowds gather enthralled by little pieces of cloth and wood with scribbles on them. The two Leonardos are the size of a letter. Such is the power of art.

There are no chests filled with gold and emeralds, no food, apparently no one is naked, no clowns juggle in the halls, but everyone is quietly in a trance in front of these great albeit unfinished works. Such is the power of art.

There's also Rubens, El Greco, Rembrandt, Titian. The titans of paint in all their unfinished glory. It happily confirms my convictions in the power of art to wiggle out of centuries and entertain fresh crowds.

I went to the source museum for the Van Gogh's piece and turned out it is a museum in Finland which has the painting.  Naturally they had a very high resolution photograph of it online for your viewing pleasure here:

http://kokoelmat.fng.fi/app?si=http%3A%2F%2Fkansallisgalleria.fi%2FE42_Object_Identifier%2FA_I_755

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Everything you ever need to know

I wanted to be an astronaut when I grow up and thanks to the internet I guess I am. From the little comfort of my bed and my mac I watch little people take spacewalks on NASA tv, which should be the only kind of television politicians are allowed to watch. It is apparent there are no divisions out there, no fences, no one else to laugh at us for about at least million light years.

From the Earth, the daily Moonrise and Moonset are always inspiring moments. However, lunar astronauts will see something very different: viewed from the lunar surface, the Earth never rises or sets. Since the Moon is tidally locked, the Earth is always in the same spot above the horizon, varying only a small amount with the <a href="https://www.youtube.com/watch?v=PKRtZ89AMts">slight wobble</a> of the Moon. The Earth may not move across the "sky", but the view is not static. Future astronauts will see the continents rotate in and out of view and the ever changing pattern of clouds will always catch one's eye. Well at least on the nearside, but what about the farside? The Earth is never visible from the farside, imagine a sky with no Earth or Moon - what will farside explorers think with no Earth overhead?

This image was taken when LRO was 134 km above the farside crater <a href="http://bit.ly/1ReO7lT">Compton</a> (51.8°N, 124.1°E). Capturing an image of the Earth and Moon with LROC is a complicated task. First the spacecraft must be rolled to the side (in this case 67°), then the spacecraft slews with the direction of travel to maximize the width of the lunar horizon in the NAC image. All this takes place while LRO is traveling over 1600 meters per second (faster than 3580 mph) relative to the lunar surface below the spacecraft! As a result of these three motions and the fact that the Narrow Angle Camera is a <a href="http://lroc.sese.asu.edu/about/specs">line scanner</a> the raw image geometry is distorted. Also, because the Moon and Earth are so far apart, the geometric correction is different for each body. Reconstruction of the Earth-Moon image is not a simple matter – and that is just to get the black and white image!

The Modern Degas You Haven’t Seen

 

Beautiful never before seen Degas - his monotypes look like old photographs.. He created these while photography was a fledgling medium so it all ties together.. but look so modern for a 1870s work. Also a great room with landscapes.

a landscape from Degas:

The Modern Degas You Haven’t Seen article in the NYT goes into depth about the show. Show is until July 24 at the MOMA. Here is the show website.

Thanks to Scotto Mycklebust for the tip, it was worth the trip. If you are an artist and wonder what to take on next, if the old ways are no longer working - experiment, just like Degas.

The magnificent sculpture of the Kamakura period (1185–1333) - now at Asia Society in NYC until May 8

Thanks to my dear friend Janet for telling me about this show.

Notabe artworks:

http://asiasociety.org/new-york/exhibitions/kamakura-realism-and-spirituality-sculpture-japan#!artworks

Kamakura Realism and Spirituality in the Sculpture of Japan

More about the show on the Asia Society website: http://asiasociety.org/new-york/exhibitions/kamakura-realism-and-spirituality-sculpture-japan

Kamakura Realism and Spirituality in the Sculpture of Japan - the Catalog: The Kamakura period (1185–1333) is considered a pinnacle of Japanese artistic expression, often described as a renaissance in Buddhist art. This catalogue is the first in over two decades to examine the exquisite sculpture of this period, artwork characterized by an intense corporeal presence, naturalistic proportions, a sense of movement, realistic drapery, and lifelike facial expressions animated by eyes made of inlaid crystal. Essays by noted scholars explore the sculptures’ arresting exteriors and powerful interiors, examining the technical and stylistic innovations that made them possible, and offering new context for their ritual and devotional uses. They demonstrate that the physical beauty and technical brilliance of Kamakura statues are profoundly associated with their spiritual dimension and devotional functions.

New York Times review:

Spellbinding Treasures From Japan’s Kamakura Period at Asia Society