Shakespeare

Tomorrow, and tomorrow. Ian McKellen analyzes Macbeth speech by mirena

Analysis by Ian McKellen of a Macbeth speech. It is not the "music" of the verse but rather the "sense", its meaning that should be expressed. An actor should "think" rather than "act" the verse. In his own words: "If this workshop has done anything, I hope it scotched the ... wrong belief that Shakespeare’s verse is music and all you have to find out is the tune and everything will be all right. Rather, I believe that if you look after the sense, the sounds will look after themselves. "

One of the greatest things of 21st century is the ability to learn from other people's process. I really am not a big fan of celebrity worship. It just happens that the thoughts of more productive people are more readily accessible. It is not necessary that their thoughts are more valid. I always make a point to have not just understanding, but critical understanding of what surrounds me. So, even if it's McKellen, take it with a grain of salt and let it enhance your own understanding, rather than replace it.

The relevant excerpt from Shakespeare's  Macbeth:

MACBETH

She should have died hereafter; There would have been a time for such a word. To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day To the last syllable of recorded time, And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life's but a walking shadow, a poor player That struts and frets his hour upon the stage And then is heard no more: it is a tale Told by an idiot, full of sound and fury, Signifying nothing.

Relevant excerpt from Extras on Sir Ian's Method ( I so much love Extras by the way, and although I gave up television about 6 years ago it is as if I've never left the good stuff behind wink-wink netflix wink-wink youtube ):

45 Everyday Phrases Coined By Shakespeare by mirena

Isn't language astonishing? The ability to convey complex concepts to another by means of few oddly shaped symbols. And then gurgling these out to make a point across the air,  or scribbling them down in a way so they carry meaning 500 years later. BBC America has a list of 45 everyday phrases coined by William Shakespeare. In this context the words sound more beautiful and poetic than when used casually. Here is the list - you would be surprised:

 

“All our yesterdays”— (Macbeth)

“As good luck would have it” — (The Merry Wives of Windsor)

“As merry as the day is long” — (Much Ado About Nothing / King John)

“Bated breath” — (The Merchant of Venice)

“Be-all and the end-all” — (Macbeth)

“Neither a borrower nor a lender be” — (Hamlet)

“Brave new world” — (The Tempest)

“Break the ice” — (The Taming of the Shrew)

“Brevity is the soul of wit” — (Hamlet)

“Refuse to budge an inch” — (Measure for Measure / The Taming of the Shrew)

“Cold comfort” — (The Taming of the Shrew / King John)

“Conscience does make cowards of us all” — (Hamlet)

“Crack of doom” — (Macbeth)

“Dead as a doornail” — (Henry VI Part II)

“A dish fit for the gods” — (Julius Caesar)

“Cry havoc and let slip the dogs of war” — (Julius Caesar)

“Devil incarnate” — (Titus Andronicus / Henry V)

“Eaten me out of house and home” — (Henry IV Part II)

“Faint hearted” — (Henry VI Part I)

“Fancy-free” — (A Midsummer Night’s Dream)

“Forever and a day” — (As You Like It)

“For goodness’ sake” — (Henry VIII)

“Foregone conclusion” — (Othello)

“Full circle” — (King Lear)

“The game is afoot” — (Henry IV Part I)

“Give the devil his due” — (Henry IV Part I)

“Good riddance” — (Troilus and Cressida)

“Jealousy is the green-eyed monster” — (Othello)

“Heart of gold” — (Henry V)

“Hoist with his own petard” — (Hamlet)

“Ill wind which blows no man to good” — (Henry IV Part II)

“In my heart of hearts” — (Hamlet)

“In my mind’s eye” — (Hamlet)

“Kill with kindness” — (The Taming of the Shrew)

“Knock knock! Who’s there?” — (Macbeth)

“Laughing stock” — (The Merry Wives of Windsor)

“Live long day” — (Julius Caesar)

“Love is blind” — (The Merchant of Venice)

“Milk of human kindness” — (Macbeth)

“More sinned against than sinning” — (King Lear)

“One fell swoop” — (Macbeth)

“Play fast and loose” — (King John)

“Set my teeth on edge” — (Henry IV Part I)

“Wear my heart upon my sleeve” — (Othello)

“Wild-goose chase” — (Romeo and Juliet)