Me and The Machine by Mirena Rhee

I recently completed a drawing which was more of a thought rather than a drawing.

I made a thought experiment to figure exactly what my relationship with the machine is and has been. I list in my head the instances where I have employed the machine, in what capacity, for how long, why, I basically asked myself a series of questions.

Surprisingly I came up with the conclusion that I have enjoyed long and symbiotic relationship with the machine, aka the computer, unlike any other. The machine has been with me the longest of any other relationships. Of course the actual hardware has been changing over the years but I have always had a machine at hand in my work as both a commercial and fine artist, even as a drawer and a painter. Also as a writer and a poet, thinker and tinkerer. I love tinkering with the machine, a less result driven process than the Rapid prototyping we used in the Silicon Valley. Rapid prototyping is the process we employ in commercial work usually to generate multiple results fast, and to gradually improve on the result until a satisfactory or flaw-free result is achieved.

Humpty-Dumpty II, The Man and The Machine by Mirena Rhee

30 x 40 in, pen, ink, gold and silver wash on hot press board, 2019

Click on the image or here for a super high-resolution of the image.

TLDR: Darth Vader helmet, the Man and the Machine, Infinity, Mobius, the dark side in each of us, our fathers, our symbiosis with the machine, man and his creation, life and death, eternity and infinity, ideal/idea/intact vs. material/life/decay.

Turned out Humpty-Dumpty II is difficult to photograph because I decided to use shiny ink washes, gold and silver. In the process of photographing it I figured I may give this drawing a few more incarnations, perhaps one in a shiny black ink or paint, as is the Darth Vader helmet, which would be too obvious. The other incarnation was suggested to me by a friend, to do just the stains without the lines. So here is the thing about drawing - I like how it makes me feel. I can’t possibly give up on drawing lines because without the lines this wouldn’t be my drawing, it would be just artwork. I don’t want to make artworks. I want to make drawings. These drawings are maps of my synapses, it is the tubes and the wiring inside my brain. The hallow cavities of the hands are maps of the hallows of the inside of my own skull, and the hollows of the eye sockets. They are not that pictorially but spatially. I do not trust the shapes but I do trust the space between and of the shapes. This is basically a map, the spatial connections between things, between myself, my hand and the machine, between myself and the pictorial representation of the modern myth.

There are a number of hidden maps in this drawing - one is the symbol of infinity, the number 8, or the infinity symbol which is the 8 horizontal. This is also the egg, the Humpty-Dumpty from the nursery rhyme, which is also the primordial and non-divided cell containing all the DNA strands in it, and all the potential for life. The map of the father, the Darth Vader helmet, the modern myth but also the very ancient myth of the creator and his offspring. This is also the map of the man and the machine, the potential of beneficial or malevolent symbiosis between the man and the machine, between man and his own creation. The shiny ink is a little too tongue in cheek machine allusion, maybe unnecessary. I do overthink and overdraw my drawings, at least in this instance.

Gestural Forest - Happy Thanksgiving from the Hands by Mirena Rhee

Memory Replacement Election Day 2020 - a sketch of the future by Mirena Rhee

Memory Replacement Election Day 2020 will take place Tuesday November 3, 2020, on Union Square in New York City. As a continuation to my previous work Memory Replacement Election Day which I created together with the people of New York on November 8, 2016 on Union Square and Today - London, which I made two week later on Leicester Square in London together with the people in London.

mirena-rhee-memory-replacement-election-day-2020.jpg

Giant Hands Book by Mirena Rhee

Above - A book of series of Giant Hands installations created in Manhattan and Beacon, NY in the span of one year.

Below - the installation at Dennings Point Ruins in Beacon with the artist for scale.

Hands Tesseract detail by Mirena Rhee

Leaf vs Humpty-Dumpty II by Mirena Rhee

#drawing #pen #ink #mirenarhee

Humpty-Dumpty II, The Man and The Machine

30 x 40 in, pen, ink, gold and silver wash on hot press board, 2019

My latest Pen and ink drawing on paper, a variation on my earlier Humpty-Dumpty, man and man vs the machine, or with, the machine. Actually not vs, but rather WITH the Machine. I have always felt half digital and cyborg being, being always attached to my machine, my machine makes me better because I have very bad memory so my mac book pro serves as my memory and my partner in my work.

Nature vs man and the machine

This year I had the privilege of observing the splendidness of nature, to sit on the sides of many a road, to look at fields and to sleep on top of bridges with water rushing underneath, I found these two leaves on the ground and although they withered - they still remind me of the best artist - NATURE and that it always makes beautiful things.

Humpty-Dumpty II, The Man and The Machine by Mirena Rhee

My latest Pen and ink drawing on paper, a variation on my earlier Humpty-Dumpty, man and me vs the machine, or with, the machine. Actually not vs, but rather WITH the Machine. I have always felt half digital and cyborg being, being always attached to my machine, my machine makes me better because I have very bad memory so my mac book pro serves as my memory and my partner in my work.

30 x 40 in, pen, ink, gold and silver wash on hot press board, 2019